--- LAS VEGAS • MODERN DAY MAD MAN (ADVERTISING)
DESIGN WITH SOUL.
ON CALL
WHEN YOU NEED IT.
A 20-year designer, Diamond-level Meta media buyer, and working musician — on your team, on retainer, on speed dial. I keep my client roster deliberately small, so every business gets the time the work deserves.
$16M
$650K
20
MONTHLY REVENUE
GROWN FOR ONE CLIENT
MONTHLY AD
SPEND MANAGED
YEARS MAJOR-BRAND
DESIGN EXPERIENCE
THE SIMPLE TRUTH: GREAT BRANDS AND GREAT MUSIC HAVE THE SAME THING IN COMMON. SOUL. THE DIFFERENCE IS WHETHER YOU CAN GET IT ON DEMAND.
--- THE REAL PROBLEM
YOU DO INCREDIBLE WORK. SO WHY ARE YOU INVISIBLE ONLINE?
This is the pattern I see everywhere: businesses that are genuinely great at what they do — decades of craft, loyal customers, real stories — and an online presence that says none of it. A quiet Instagram. A Google profile with three photos. Ads that look like everyone else's. The work is there. The story isn't being told.
The Silent Tax
INVISIBLE LOOKS THE SAME AS CLOSED.
Your next customer checks your social and your Google profile before they ever call. If there's nothing there — or nothing recent — they assume nothing's happening. And they call the competitor who posts.
The Template Trap
CANVA TEMPLATES MAKE YOU A COMMODITY.
If your brand is represented by stock graphics and AI slop, people can tell. Templates make you look like every competitor in your category — and price becomes the only thing left to compete on.
The Time Problem
YOU'RE TOO BUSY DOING THE WORK TO SHOW THE WORK.
Nobody built their business to spend nights making Instagram posts. So the content doesn't get made, the story doesn't get told, and the invisibility compounds. Every week.
THE FLAGSHIP
THE ON-CALL
CREATIVE DESIGNER.
A senior designer embedded in your business for a flat monthly rate. Text me what you need. Get it back fast. No scope calls, no proposals, no agency tax.
I KEEP THIS VERY LIMITED — A SMALL ROSTER IS THE ONLY WAY EVERY CLIENT GETS THE TIME THEIR BRAND NEEDS. WHEN SPOTS FILL, I START A WAITLIST.
STEP 01 — SEND IT
TEXT, SLACK, OR EMAIL THE REQUEST.
An ad, a flyer, a landing page, a carousel, an event one-pager. Plain English is fine. I'll ask the right questions.
STEP 02 — I BUILD IT
DESIGNED BY ME. NOT OUTSOURCED.
Every piece gets a concept, a story, and a reason to stop scrolling — the same standard I hold my own music to.
STEP 03 — SHIP IT
DELIVERED FAST, REVISED UNTIL RIGHT.
Files arrive ready to post, print, or run as ads. Then send the next request. That's the whole process.
WANT TO TRY FIRST? SMART.
THE CREATIVE SPRINT.
$500
ONE-TIME • 3 PIECES • NO COMMITMENT
Three pieces of design work — done right. Event flyers, static ads, carousels, a presentation — whatever your business needs most right now. You get a real taste of what having me on call feels like. If it doesn't feel different from everything you've tried, walk away. If it does, your Sprint credits toward your first retainer month.
--- THE IMPACT
THIS IS WHAT REPLACING AN IN-HOUSE HIRE ACTUALLY LOOKS LIKE.
Most businesses that need consistent content face a choice: hire an in-house creator, or stay invisible. Here's the third option, in real numbers.
And it's not just cheaper — it's a different class of hire. You're not getting a junior creator learning on your dime. You're getting the designer behind $650K a month in live ad spend, who knows what makes people stop, read, and call — because he's watched the numbers on thousands of ads.
--- THE RECEIPTS
I DON'T SELL THEORY. I SELL WHAT ALREADY WORKED.
Most "creative designers" have a portfolio. I have a P&L trail. The design work you're buying is the same work that scaled a national dental implant brand into a category leader, the same work that scaled a national dental implant brand from $1M to $16M a month, work that pulled 120 qualified leads in one month on $3K of spend for a workers' comp firm, and it's the same work running behind $650K a month in live ad spend right now.
That's the impact of having someone like me inside your business: every flyer, ad, and post is built by someone who knows what converts — not someone guessing what looks nice.
--- WHO YOU'RE HIRING
I DON'T SEPARATE THE ART FROM THE STRATEGY. THAT'S THE WHOLE POINT.
I've been entertaining people since I was 14. That's where all of this started — not in a marketing class. On a stage.
Music taught me how to tell a complete story in three minutes. Advertising taught me how to do it in one. Find the feeling, strip away everything that doesn't serve it, and make someone care before they even know why.
I grew up on the island of Oahu, played D1 basketball at the University of Hawaiʻi, and moved to Las Vegas to carve out a place in the entertainment capital of the world. Turns out I carved out two — one on stage, one behind the brands.
A modern-day Mad Man — except the ideas come from music and life, not martinis.
--- THE WORK
SOME OF MY FAVORITES.
Every piece below came out of a real request for a real business — the same kind of work that lands in your inbox when I'm on your team. No templates. No stock look. Every one tells a story.
Anyone can generate an ad nowadays.
Very few can set a mood.
AI made flyers and content easy to make and impossible to tell apart. Same gradients, same stock look, same defaults.
Your business has a personality. Somewhere in there is the reason people pick you over the place down the street — and most of the time it never makes it into the work. It gets flattened into a template. This luau is a small example of a big idea: I find the thing that makes you you, turn it into a look, and then build everything inside it. Flyer, signage, social, print. One voice, start to finish.
Left is what the client brought me. Right is what we ran.
The redesign
What the client brought me
Same system, printed and placed
--- THE PREMIUM ADD-ON
Your competitors can copy your look. They can't copy your sound.
Every business is pulling from the same royalty-free library and the same twelve trending audios. Which means the ad for the dental office sounds like the ad for the roofer.
I write original music. For your business, in your voice, owned by you and licensed to nobody else — a single track, a background bed, or a full instrumental library your whole feed runs on. No strikes, no takedowns, no subscription, no one else using it.
Twenty years of writing and performing, pointed at one brand: yours.
Tell me the brand, what the music is for, and any reference tracks. I'll reply today.
Red Rock Harley
original score, brand campaign
Underground Slice
80s throwback, social spot
HOW IT WORKS
No portals. No ticket system. No account manager who forwards your email to someone else.
You text me.
It shows up done.
STEP 01
Text me what you need
A sentence is enough. "Need something for the Fourth of July sale." You don't have to know what to ask for or how to spec it — figuring that out is the job you're hiring me for.
STEP 02
First draft in 48 hours
Most things come back same-day or next. Two business days is the outside edge, and if something's bigger than that, you'll know the timeline before I start.
STEP 03
We go until it's right
Revisions aren't counted or charged. If it's not there yet, tell me and I'll fix it. Nothing leaves half-finished.
"What if I don't know what to ask for?"
Then I'll ask you. Every week I check in — anything you want knocked out? If you've got something, we go. If you don't, just say free rein, and I'll go find it myself. I'll dig into your brand, look at what your competitors are running, and make something that earns its spot in the feed. Slow months are the ones where a retainer usually goes to waste. Not this one.
LET'S GO
You already know what your
marketing looks like. Let's fix it.
Text me what your business is and what's coming up. I'll tell you straight whether I'm the right call — and if I'm not, I'll tell you who is.
Tell me what your business is, what's coming up in the next 30 days, and which tier you're eyeing. I'll reply today.
Bigger than a retainer? Full campaigns, media buying, and video production run through my company,
SSI Media LV. Same standard — bigger crew.